VERY excited to announce that these California ROCKERS "LILIAC" will be stopping by the Brad Cooney Podcast Show VERY soon. This Podcast is in the works and dates and times are being hashed out now. STAY TUNED!
VERY excited to announce that these California ROCKERS "LILIAC" will be stopping by the Brad Cooney Podcast Show VERY soon. This Podcast is in the works and dates and times are being hashed out now. STAY TUNED!
OG Hip-Hop influencer D$Rich$ drops diamonds of knowledge on new EP ‘It Gets Greater Later’
Currently available across all streaming platforms, the new EP chronicles the life of D$Rich$ from his time as a young boy in New Jersey, to his teenage years fending for himself at age 13, to the heartbreak and tragedy of losing his own son to the streets in 2016. It tells tales of peril from various experiences on the streets, but also offers hope in unexpected ways as he weaves through moments that propelled him beyond being another sad statistic and product of his environment.
The debut single from the project is “Built For This,” which further explores the concept of rising from the ashes and building a life for oneself. It’s an upbeat and inspirational track that almost serves as an anthem as D$Rich$ uses the metaphor of a diamond formed from extreme pressure to illustrate how even the most difficult of situations can shape and mold us into something beautiful and brilliant.
“All the pressures I went through made me built for this,” he said. “That single is a lesson for anyone. I’m teaching them how to survive on the streets. It’s like a little mini survival kit. I got to where I am because I applied what I’m telling you in this song. I’ve been a lot of places and worked with a lot of big names in the industry. I helped create some of the sound you take for granted in hip-hop today. And I hope when all is said and done I’m remembered as one of the greatest musicians you ever heard. I came from nothing and made something. And now it’s time for me to leave these lessons and knowledge for the younger generations.”
To listen to D$Rich$’s music, or to follow him on social media, please visit the following links:
https://youtube.com/channel/UC0o8oQ2gJIyLDrPDhO0uX4w
https://soundcloud.app.goo.gl/Qt6RfAnf96gmGsau8
https://artistecard.com/Freaka#!/musics/143364
https://music.apple.com/us/artist/d%24rich%24/1565718140
South Florida producer creates trippy, lo-fi, airy take on hip-hop with new single ‘French’
For years Reigng has been producing beats that have been embraced by other artists. His style is one that focuses on getting a clean sound, and he never sticks to any one genre. Instead, he lets the music speak to him, and his organic process can flow through anything from R&B to lo-fi to hip-hop and even rock or country, at times.
“My grandmother used to call me a jack of all trades because I would never stick to any one thing – I was always doing something different,” Reigng said. “I’ve tried to incorporate that into my music style, as well. Someone who reigns is like a ruler or a leader or the alpha, and me putting an extra g on the end of the name is like saying that I’m the leader of all different genres. But at the end of the day I hope my music is unpredictable. No one should ever really know what it is I’m releasing. The main thing I’d like to focus on is bringing a kind of trippy, lo-fi, airy take on hip-hop and R&B. And I’d really like to get to be known for this kind of soundscape sound, which people will hear with this new single ‘French.’”
Reigng said he first got into music when he was a child. His father played saxophone and was a DJ around town, and Reigng said he recalls many mornings during his childhood when his father would wake up the family by playing the sax. He experimented with music on his own throughout his teenage years, and then five years ago he and a cousin were messing around with beats and when he played one his productions for his cousin the response was far more excited than he’d ever imagined. The encouragement he received made him want to dive even more deeply into music, and he hasn’t looked back since.
“Since then I’ve been working on releasing some instrumentals – synth-wave beats that are very lo-fi,” he said. “In 2021 I want to jump right back into hip-hop, and I already have some sessions set up with some local artists in Miami. A lot of artists will reach out to me via Instagram or email for collaborations, which is great because I really love to collaborate with other artists. I’m definitely looking for a more international sound and collaborations.”
To listen to Reigng’s music, or to follow him on social media, please visit the following links:
https://www.instagram.com/reigng_/
https://twitter.com/reigngmusic
https://m.facebook.com/reigngmusic
https://www.youtube.com/channel/UCK-DfvUP3C8iE8Nx8km7i9w
https://m.soundcloud.com/reigng
https://music.apple.com/us/artist/reigng/1447779811
https://open.spotify.com/artist/3sUWrd3Id2c0CM1Ech3oAS?si=sVy0Q4bPRtWL-u3DZTatyQ
Underground criminal and talented musician Trickstaer drops new project ‘Delinquent Center, a Whisper Album’
NEW BRAUNFELS, TX – Tony Truong, better known by his stage name Trickstaer, is a Vietnamese-American rapper, singer, composer and record producer who has been making a name for himself throughout the music industry over the past few years. He received initial recognition from the third collection of music, “Phantoms of Reiterations,” which he released in September 2020. Today he’s looking to expand his global fanbase with the release of his latest album “Delinquent Center, A Whisper Album.”
Self-described as a “crazy journey and life experience rap project” that showcases his unique skillset and signature style as an artist, “Delinquent Center, A Whisper Album” takes listeners on a journey that shows a young music lover evolve into a bona fide rapper who has the raw, natural talent to one day become a household name. No longer is Trickstaer a new artist. With this new album he’s showing the world a maturity as an artist that only comes with someone who has put in the hard work to hone his skills and develop a quality of sound that is second-to-none.
“The perspective of this album is from the emotions a kid from a delinquent center,” Trickstaer said. “It’s a metaphor. The world is a delinquent center, so you should watch your back.”
The standout single from the album is a song of the same name, “Delinquent Center.” Further piggybacking off the idea of a kid in a delinquent center, the song is unexpectedly about love and heartbreak and the inability to share love with someone when you’re trapped by other obligations or restrictions.
“It’s about being in an isolated life, loving somebody and the intimacy that holds nobody’s opinions but the two of yours,” he said. “And when it’s gone, there’s nobody to hold the pain but you. That’s the love of Delinquent Center. If you get your heart broken in a delinquent center, what do you do? Nobody takes care of you but you. It’s a song that shows vulnerability. My music began from a place of talking and a need for a voice. This is not about being scary, but I come from a bad life and I’m bringing music from a vulnerable place around it. I’m misunderstood, because this is more about not being accepted for who I am. I am an enigma. Out of that I think I’ve created one of the best, most classic albums for people to listen to.”
“Delinquent Center, A Whisper Album” is currently available across all digital streaming platforms. To listen to his music, or to follow him on social media, please visit the following links:
Windy City Collaboration Between Three Rising Artists Produces sure-to-be Hit ‘Right Mind’
“Our original intention was to create something with Naike that would blend both of our unique styles,” said Vilardo, producer of East Mane. “He wanted to use this collaboration as an opportunity to push himself outside his comfort zone and do something more experimental.”
“The process for us is all about storytelling,” added Vasquez, who is the rapper and lyricist of East Mane. “Everything I write has to do with experiences from our past. Daniel and I met in our early teenage years at a time when we were struggling to fit in and bonded over music as a way to escape. Meeting Naike, we were immediately drawn to his style and message as an artist as we felt it resonated with East Mane’s.”
Altogether, the sound that these three artists have created on this single is truly original and destined to stand out in the midst of a crowded music market. This song is yet another hit from East Mane, whose production mixes elements from modern electronic production acts such as Kaytranada and FKJ, while also featuring lyrics drawn from influences such as rappers like Kota The Friend and Mac Miller.
“We always strive to be original,” Vilardo said. “In the end, it’s about connecting with our listeners. Jeremy and I have known each other pretty much all our lives and each one of our songs is a window into our life experiences.”
To listen to East Mane’s music, or to follow them on social media, please visit the following links:
www.instagram.com/east_mane_music/
www.facebook.com/eastmanemusic/
Thug Misses pops off like a little gun while rapping on hot new single ’99 U Ain’t 1’
Inspired by the hit Jay-Z single “99 Problems,” the Thug Misses single features fellow artists Hitta Slim and Mistah F.A.B. It’s a contemporary rock meets hip-hop kind of East Coast old-school vibe. Thug Misses takes it back to the basics of the genre by spitting some solid bars on top of a drum-heavy beat enhanced by live instrumentation. She raps about how it feels to be a woman in the industry, how there seems to be a problem around every corner, and how she doesn’t have time for any new issues new people might bring to the table.
“One of the key things that makes me different as a female artist in hip-hop is that I’m not talking about sex, sex, sex,” she said. “The majority of the Top 10 female recording artists on major labels are heavily promoting sex. That’s just not my style. I’m actually writing about something – like back in the day when Tupac and Biggie used to write. But I’m not sounding outdated. I’m still touching on key subjects that are relevant and refreshing for today’s culture. I put a dope beat to it and I’m really saying something important.”
Some of her other recent songs have tackled issues of African American and Asian American injustices in this country. Others uplift women and praise men for what they’re doing to promote feminism. She even gets transparent and attempts to motivate others out of personal struggles by inspiring them to overcome challenges in life.
“I can really write,” she said. “I can be prolific. When you think of Tupac, people are still playing his music today. What he had to say never goes out of style. That’s what I want my music to be – never outdated. You can hear it today or 20 years from now and enjoy it.”
Thug Misses said she has more music that she’s creating with her business partners Jason Gilbert and Julius “LJ” Jackson of Eargazm Music Group, and encourages fans to keep an eye out for more singles this summer.
To listen to Thug Misses’ music, or to follow her on social media, please visit the following links:
Instagram – @dathugmisses
www.Facebook.com/thugmisses707
https://open.spotify.com/artist/1YKAeco0oHmIz4JTHCFio3?si=zJln2SMgQiOipS1NWAMd6g
YoFiji artist offers yin-and-yang perspective of perfection and organic creation on new EP ‘Knucklehead II: Lotta Vibes’
LISTEN TO THE PODCAST BELOW!
This juxtaposition of sound and style comes to the forefront on his latest EP, “Knucklehead II: Lotta Vibes.” It’s a project that’s currently available across all streaming platforms, and which has been gaining him some traction among an ever-growing group of fans throughout the U.S.
“It’s just kind of me,” he said. “I just go off the top of my head without any intention of having a story or anything like that. This beat was kind of upbeat and fast and it gave me a feeling of pressure. I just write how listening to the beat makes me feel. I usually come up with the hook first, and if I can find some way to relate the hook to my life then I try to include that.”
YoFiji said he has always liked listening to music, but it wasn’t until a friend introduced him to the production and recording process a couple of years ago that he really became interested in creating songs of his own. When some of his friends heard his first creations, they were impressed and encouraged him to continue making music. He hasn’t looked back since, and said he hopes people will come to appreciate just how much attention he pays to the craft of making music.
“I want to be known for the composition of what I create,” he said. “Not exactly for the song or the lyrics, but for the whole composition. The craft of it. All the elements put together and what that makes. I’m not much different than everybody else out there, but I do work hard at really perfecting the entire composition of whatever I’m creating.”
YoFiji said he has more music on the way later this year, and is excited for fans to check out his current EP. To listen to his music, or to follow him on social media, please visit the following links:
https://www.Instagram.com/yoofiji/
"Empire"
KingstonBoi Finds Common Ground in a “Scary Place”
There’s nothing scary about the song. In fact, it offers up hopeful reassurance, thanks to gospel-driven vocals, soft percussion, and a mellow dub beat. Mr. Sandman sings, offering a vocal and narrative counterpart to Kingston Boi’s rapping. “The first verse is through my own perspective and experiences. The second verse is motivational, letting other people know that I was able to overcome my obstacles in scary places, and they can too,” the rapper says. Sandman brings his own story to his verses. “The song means a lot to him also. He had a situation in his life he had to deal with. He's dealing with it now. To keep it positive and stay on the right track he chose to deal with it rather than avoid it,” KingstonBoi says, explaining another way in incorporate the lessons of someone who’s struggled with scary places himself.
KingstonBoi has been rapping since he was 11 with his close friend James Gregg (aka Dragnizzle, now a frequent collaborator). Raised by their grandparents, the brothers were always surrounded my musicians, whether at church or in their family lives. “All my aunts and uncles are musicians. They came up in the church. Growing up, I looked to them, and it was something I wanted to do, but I didn't think I had the voice to be a singer like they were,” he remembers. His grandmother told him he could do anything he put his mind to, an assurance he’s held close all these years.
Remembering her words is especially important since she and his grandfather passed. Of course the artist wishes they could hear how he’s using his voice now, how he’s deftly blending musical styles to send meaningful messages. “I lost my grandmother, Mary L. Blandin, in 2000. I lost my grandfather Nathaniel Blandin, in 2017. These are the people that raised me my whole life. Unfortunately, she wasn't here to hear me record these songs and put them out there. But I believe she's looking down on me and she sees it. I believe she and my grandfather will both be able to look at my music and say they're proud. That, more than anything, means the world to me,” he says.
It’s hard to imagine any grandmother not being proud of him, a young man finding a place for a new voice. In the rap world of hyped-up violence and materialism, KingstonBoi hopes to show listeners new possibilities. “You can come from a bad environment, but that doesn't mean you gotta be a thug or curse with every other word you say. Music can be more than that,” he says simply. For him, music is a way for us to abandon our illusions of difference—including race—and find what we all have in common.
“Scary Place” is available on major streaming services.
KingstonBoi will be releasing more singles, and he expects a mixtape to drop in late 2021.
Coming hot off a triumphant, yearlong celebration of their 25th anniversary in 2019, the very last thing Collective Soul plan on doing in 2020 is rest on their laurels. If anything, these five fiery Georgia-bred rockers are only just getting started with the next phase of a thriving career that has seen them move millions of records and wow multitudes of fans all across the globe.
Thanks to the warm reception of their acclaimed 2019 album release Blood, Collective Soul are quite galvanized to add as much fresh material into their live sets as they can. “I think Blood is the beginning of a lot of good music to come,” observes frontman and chief songwriter E Roland, adding that even more new tunes are already in the works. “We’re doing the best that we can do. Blood is an accumulation of all the different styles we’ve used over the years — but it’s still Collective Soul. I think it’s the best we’ve ever done. I know you should think that, but I really do think it’s the best. It’s a good, consistent record. We’re just so proud of it.”
Such effortless setlist integration really shouldn’t come as much of a surprise, considering how smoothly Collective Soul leapt into the national consciousness with the unbridled achievements of their multi-platinum 1993 debut Hints Allegations and Things Left Unsaid, a career-making debut album that contains such mega-smash hits like the aforementioned “Shine” and “Breathe.” In one fell swoop, Hints Allegations cemented Collective Soul’s status as the jukebox heroes of a new generation.
All of these fine textural nuances add up to a sharply focused and most exciting Collective Soul 2020, with even more invigorating live sets coming, straight ahead. “We want to play the hits as we always do, but we also love sharing new music with our fans,” concludes Roland. His sacred promise to everyone who attends a Collective Soul show: “We’re going at it hard, everyone! We’re going hard.”
Heaven has clearly shined its light down on Collective Soul, now entering Year 26 with all cylinders firing, and no end in sight. Come on out and bask in their continual glow.
—Mike Mettler, official Soulographer
Interview with Al Anderson – Bob Marley Guitarist Brad Cooney: Alright, Brad Cooney.com with a welcome to the show Mr Al Anderson of course,...